It was 40 years ago today that The Clash, Sex Pistols and other like-minded fellow travelers fueled the punk revolution in the U.K. and the Ramones, Patti Smith and others did the same here.
Less celebrated, perhaps, is the fact that Jamaican roots reggae was in its heyday at the same time, a fact that did not go unnoticed or unappreciated by punks on both sides of the Atlantic.
You wonâ€™t have to spend much time searching Google to find photos of Smith chilling with Tappa Zukie and Burning Spearâ€™s Winston Rodney, or Johnny Rotten hamming it up with Big Youth for Dennis Morrisâ€™ camera.
(PHOTO: Dennis Morris)
The Clash celebrated all the big names of Jamaican music in "White Man in Hammersmith Palais" and covered Junior Murvinâ€™s "Police & Thieves." Rotten traveled to Jamaica to scout talent for Virginâ€™s Front Line reggae subsidiary.
One of the most important records of the era â€“ and the one perhaps most treasured by punks â€“ was Cultureâ€™s "Two Sevens Clash," a reference to July 7, 1977, a date predicted by Marcus Garvey to unleash chaos. Many Jamaicans stayed inside that day and Cultureâ€™s hit song captured the zeitgeist not only of that experience but of the upheaval in the international music scene, thanks to the punksâ€™ rip it up and start again attitude.
(PHOTO: Heartbeat Records)
The album, produced by Joe Gibbs, featured the inimitable voice of lead singer Joseph Hill â€“ who died in 2006 â€“ with harmonies by Albert Walker and Kenneth Dayes. Songs like the title track, "Iâ€™m Not Ashamed," "See Them A Come" and "Natty Dread Taking Over" were urgent and catchy.
Gibbs tapped Kingstonâ€™s top studio talent â€“ drummer Sly Dunbar, bassist Lloyd Parks, saxman Tommy McCook, among others â€“ to provide the backing.
"Their message," wrote Gibbs in the liner notes on the original sleeve. "The unforgotten suffering of their ancestors as they toiled in blood, sweat and tears, only to perish."
Some â€“ most notably "Black St…Read more...