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Milwaukee's Daily Magazine Friday, Dec. 5, 2008
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Quarantine
Opens Oct. 10, 2008. Run time: 1 hr. 29 min.

for bloody violence and disturbing content, terror and language

For a reality TV show about people who work while the rest of the world is asleep, reporter Angela Vidal and her cameraman, Scott, are assigned to cover a night shift with a pair of firemen at a Los Angeles fire station. After an uneventful evening, a 911 distress call in the middle of the night takes them to a small apartment building downtown. Police officers are already on the scene in response to bloodcurdling screams coming from an apartment on the third floor. Having stumbled onto a breaking story, Angela and Scott are determined to get it all on tape. Entering the apartment unit to investigate, they find an old woman in a nightgown, standing alone in the dark.

She's covered in blood, her breathing erratic and raspy. She seems sick. And when a policeman approaches to help her, she suddenly attacks--with her teeth. The group subdues the woman and tries to get help for the injured policeman. But when they attempt to leave the complex, they find that the CDC has quarantined the building.

All exits are sealed and guarded by heavily armed men. Telephone, internet, TV, and cell phone access have been cut-off, and officials won't give any explanation to those locked inside. The apartment complex and its residents quickly descend into panic. Trying to make sense of what's happening, the inhabitants are forced to look to each other for help. Then there's another scream from above.

In the atrium lobby where everyone is gathered, a body falls to the ground from the third floor. And the attacks begin again. When the quarantine is finally lifted, the only evidence of what took place is the cameraman's videotape.




OnMilwaukee.com rating:

Cast: Columbus Short, Jay Hernandez, Jennifer Carpenter, Johnathon Schaech, Marin Hinkle
Director: John Erick Dowdle
Written by: John Erick Dowdle, Drew Dowdle
Producer: Anne Clements
Genres: Horror, Suspense/Thriller



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Critic review:

Grim, gory, gooey--and a hugely effective bit of Hollywood hokum--Quarantine is a winner that will undoubtedly please horror fans this Halloween season. Story A Los Angeles apartment building falls prey to something very nasty--won't you come along for the ride? A TV news crew accompanies a fire company to a Los Angeles apartment building where something has gone wrong. VERY wrong. For the next 90 minutes, the characters--and the audience--embark on a grimy, gritty, shock-filled rollercoaster ride through the hallways of an apartment building that is soon under siege, by both a threat inside and the obligatory threat (i.e.

the authorities, who are always interested in keeping the lid on things) outside. It's never really explained what the pesky pestilence is that kick-starts this horror thriller, nor does it really matter. As seen through the lens of the TV cameraman (Steve Harris), the audience gets a good jolt of high-concept horror in the tradition of The Blair Witch Project and Cloverfield--but certainly more effective and better-rendered than the latter. It's a pure, edge-of-the-seat, horror-fied (and horror-fried) adrenaline rush, which should find great favor with fans of the genre. Acting This is not a movie about acting, unless acting is determined by how well people play under pressure.

This is a concept movie, a gimmick movie. The actors are merely there to fulfill their functions--show up, scream, and die--which they do with solid dispatch. Dexter's Jennifer Carpenter, as the TV reporter-cum-heroine-by-default, looks dynamite and screams even better. Jay Hernandez, as a friendly fireman, portrays manly panic quite well. He's a hero and he's a hunk, but oh boy, are the odds stacked against him! The majority of the ensemble cast ends up as fodder, but they manage to make a positive impression that hurries this film along.

This is not an actor's movie, but the actors most certainly do their part to keep the proceedings moving along. Direction The real star of the show is Minnesota-born filmmaker John Erick Dowdle, who maintains a relentless pace that serves this story--and the intended audience--very well indeed. If the intent was to make a gory, paranoid rollercoaster ride that never lets up, then the director has succeeded. You want to read more into it? Go ahead. I'm going for a drink to settle my nerves! Bottom Line Hollywood.com rated this film 3 1/2 stars.-Mark Burger.



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