![]() | SeaninPDX: @VirginiaSuliman Unfortunate. Stick with Scotch then. Or Pabst. It's medicinal. about 4 hours ago |
![]() | scooter1965: Blue Velvet is on, and as I watch I ask myself, will I have Heineken, or Pabst Blue Ribbon? Maybe someone in this film will have advice... about 6 hours ago |
![]() | Chromiee: RT @elonjames: Dear KKK, Um...seriously? Its 2009. Chillax. Grab a Pabst Blue Bud Light Ribbon or whatever & go away - link about 13 hours ago |
![]() | ElevateU: RT @elonjames: Dear KKK, Um...seriously? Its 2009. Chillax. Grab a Pabst Blue Bud Light Ribbon or whatever & go away - link about 13 hours ago |
![]() | SwagDonors: RT @elonjames: Dear KKK, Um...seriously? Its 2009. Chillax. Grab a Pabst Blue Bud Light Ribbon or whatever & go away - link about 13 hours ago |
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Those were the days: John Coltrane and Lee Morgan at work. |
| By Bobby Tanzilo Managing Editor Photography by Francis Wolff E-mail author | Author bio More articles by Bobby Tanzilo |
| Published Jan. 12, 2009 at 10:58 a.m. |
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It's been a long time since Milwaukee had a thriving jazz scene. Now that Hal Leonard has ceased sponsoring the Jazz Series at The Pabst, another nail has been pounded into the coffin of America's classical music here; thanks, as always, to economics.
Certainly, Hal Leonard and The Pabst would love to be able to keep the series going.
"It was certainly a difficult decision to relinquish our sponsorship," said Hal Leonard CEO Keith Mardak.
Don't get me wrong, there are jazz musicians in Milwaukee -- and some really great and hard-working ones, at that -- and there are a few venues where you can hear the music live -- The Estate, Caroline's, The Baby Grand, etc. -- but in the 25 years I've lived in Milwaukee, there's never been a place to reliably see America's best jazz musicians.
Unless you count Joe Segal's Jazz Showcase ... in Chicago.
Once in a while, a big name pops into town for a one-night stand at a theater, but the Hal Leonard Jazz Series accounted for a good portion of those events each year. But the fond memories of Milwaukee jazz fans almost always date back to the days of Jazz Gallery on Center Street or Ellington at Washington Park Bandshell or seeing Miles with Trane Downtown or hearing Herbie Hancock make his pro debut here.
Sure, Alverno Presents will bring a couple shows to town, The Pabst will insert a jazz gig or three into its annual line-up. But that's not a jazz scene, anymore that Israel Vibration playing Turner Hall is a sign of a thriving reggae scene.
According to a Pabst statement, the Pabst family of venues, "will focus on individual showcases."
"While we will no longer promote the music in a series format, Jazz enthusiasts can rest assured that the music will not disappear from our venues," said Gary Witt, Executive Director of The Pabst Theater Foundation. "We will continue to seek out
great Jazz musicians to perform at The Pabst, The Riverside, or Turner Hall Ballroom, as we do with all genres of music."
But, it's really too late, because despite the Hal Leonard series, the music all but disappeared from Milwaukee venues years ago. With jazz erased from WUWM and WYMS, the music doesn't even get broadcast in town anymore with any kind of regularity.
What the city needs is a top-class, well-funded jazz club that can nab the same kind of national and international greats that visit places like New York's Blue Note and Segal's place. But without a fervid and fairly numerous two-drink-consuming fan base, such a place won't ever exist here again.
Maybe the end of Bronzeville and Downtown's jazz clubs of the 1950s, jazz really did die in Milwaukee and all we hear now are the echoes.
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5 comments about this article. Post a comment / write a review. |
Posted by Carla on Aug. 15, 2009 at 9:00 p.m. (report)
I came to play jazz in Milwaukee in 1984. I played with Naima at the Marc Plaza Hotel. I quickly discovered the Jazz Gallery, and the Jazz Oasis, Boobies, and the Estate to name a few. I was enamored of the community of players and their acceptance of people of all levels of playing. It was a community. I got to play with, and hear the locals that were as great as any, David Hazeltine, Leigh Cowan to name a few. These were magical times. I am trying to recreate a jazz scene in Missoula where I live now. Those were truly some of the best years, and worst years of my life. It is time to honor the great musicians that are right under our noses. We don't need stars, icons created by the media. I know great when I hear it. We just need a place for those people that are eager to play and are great to be heard. Is anyone around from the Jazz Gallery Era? I'm so glad that I was there!!! Carla Green, Upright Bass
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Posted by esiefert on Jan. 16, 2009 at 12:41 p.m. (report)
On the positive side, there are local organizations like MILWAUKEE JAZZ EXPERIENCE (MJE) that are helping to bring jazz programs into the schools. Students get to meet and work with the likes of Berkely Fudge and Adekola Adedapo and learn about jazz. It is also incorporated to help meet local educational standards. It's not a high profile, large organization...but I wish more people could know about the good things they are trying to do to keep jazz alive in Milwaukee! They work so hard! MJE is contributing to an already dismal arts education climate--and that is so important!
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Posted by Jeff on Jan. 12, 2009 at 12:45 p.m. (report)
On a related note, the Pabst "downsized" its Artist Series at the Pabst to spotlight top MSO musicians. Previously, the series featured world-class performers that often did not make it to Milwaukee otherwise. No offense to the local guys, but this shift is clearly a loss for Milwaukee.
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Posted by City Dweller on Jan. 12, 2009 at 12:30 p.m. (report)
Mark Davis could carry the torch?
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Posted by High_Life_Man on Jan. 12, 2009 at 12:27 p.m. (report)
I've driven by Caroline's a number of times on the past few weekends and it is dark. Did it quietly close?
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